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Audiosauna arpeggio12/1/2022 Let’s take a look at an example that combines each of the approaches from above. #Audiosauna arpeggio fullThese approaches shouldn’t be treated independently of each other, but instead should be combined to create a full picture of the fretboard.Ĭombing these approaches will reinforce the interconnectivity of these notes and patterns up and down the neck. Outlined above are three different approaches to visualizing and playing arpeggios across the entire fretboard. #Audiosauna arpeggio downloadI won’t lay them all out in this lesson, but you can download the cheat sheet at the end of the lesson that contains all positions. The same concept can be applied to all major scale positions. It’s a diminished arpeggio and just isn’t used that frequently. Note that the arpeggio for F#dim is left out. The root arpeggio will be the E form barre chord at the 3rd fret (G major barre chord). In this example, we’ll be playing out of the first position of the G major scale. What we’re going to do is take a given position and play all of the arpeggios in a given scale from that position. If you’ve read the lesson on the guitar number system or playing chord progressions by position, this will be familiar to you. There are several different approaches you can take with this process, but for this lesson we’re going to look at playing by position. Arpeggiating the harmonized scale gets us away from that process and starts building the relationship between chords and arpeggios within a key. A lot of times when we practice arpeggios, we tend to stick with a specific arpeggio…G major, D minor, etc. We can take these chords from the harmonized scale and play the arpeggio for each one after the other. When you harmonize the scale, you get the following chords:įor a good reference on scales and chords, check out the Guitar Key Guide ebook. The G major scale contains the following notes: Here is a whole lesson dedicated to harmonizing the major scale: Building Major Scale Chordsįor example, let’s take a look at the G major scale. When we talk about harmonizing scales, we’re referring to building chords from the notes that are contained within the scale. #Audiosauna arpeggio freeFeel free to experiment and start mixing the different groups. If you’re not familiar with these shapes, or triads in general, it may be a good idea to review the following lessons:Īgain, this can be applied to all of the triad arpeggio groups from above and also any key. after the third shape, if you continue up the fretboard you get shape 1 again). These shapes repeat up and down the fretboard (ie. The diagrams below show the three distinct major and minor triad arpeggio shapes that occur on strings 1, 2, and 3. The examples shown here are for G major and G minor, but can be applied to any key. I think the easiest way to visualize these triads is by using the 3-strings approach. Triads break up the full arpeggio patterns into smaller, 3-note variations which can be a little easier to incorporate musically. As such, we can explore arpeggios through the use of triad shapes across the fretboard. Triads are the foundation of chords, and thus arpeggios. Practice these exercises with both major and minor arpeggios. It can be helpful to call out the CAGED shape as you play through it just so you make the connection. The key to these exercises is to visualize the CAGED patterns as you play through the run. You can blend ascending and descending movements through the arpeggios. Start from different positions and change up the movement of the run. Again, pay close attention to the descending sequence as it differs from the ascending. This exercise starts with the E arpeggio shape and moves up through to the G shape. Let’s take a similar approach, but change it up just a bit. Both major and minor CAGED arpeggio patterns can be seen in the diagrams below. They’re probably the most commonly used arpeggio shapes.ĬAGED arpeggios are broken out into 5 patterns that correlate to the CAGED chord shapes. If you’re already familiar with arpeggio shapes and patterns you’re probably familiar with the CAGED arpeggio shapes. If you’re not sure what an arpeggio is, you should review the major and minor arpeggios lesson first and then come back to this one. The focus here will be on major and minor arpeggios, but the concepts will apply to 7th arpeggios and others as well. In this lesson we take a look at how we can expand our view of arpeggio shapes and use them to help visualize the guitar fretboard. The more we explore it the more complete picture we can get of how these structures are interconnected. When it comes to the guitar fretboard, there are many different ways to view its structure and layout. Using Arpeggios to Visualize the Guitar Fretboard
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